Microphone Preamplifier Circuits
1. Purpose and Importance of Preamplifiers
Purpose and Importance of Preamplifiers
Microphone preamplifiers serve as the first active stage in an audio signal chain, bridging the gap between low-output transducers and subsequent processing stages. The primary function of a preamplifier is to amplify weak microphone signals—often in the microvolt to millivolt range—to line-level signals (typically 0 dBV to +4 dBu) while maintaining optimal signal-to-noise ratio (SNR) and minimizing distortion.
Signal Conditioning and Impedance Matching
Microphones, particularly passive dynamic or ribbon types, generate extremely low-voltage signals susceptible to noise and interference. A preamplifier provides high input impedance to avoid loading the microphone, ensuring maximum voltage transfer. For example, a typical condenser microphone with an output impedance of 200 Ω requires a preamplifier input impedance ≥2 kΩ to prevent signal attenuation. The voltage gain (Av) of a preamplifier is derived from:
where Rf is the feedback resistor and Rg is the gain-setting resistor. For a 60 dB gain (1000×), Rf/Rg ≈ 999.
Noise Performance and Dynamic Range
Preamplifiers must exhibit ultra-low noise to preserve the integrity of weak signals. The equivalent input noise (EIN), typically measured in dBu or nV/√Hz, quantifies this performance. A high-quality preamplifier achieves EIN values below −130 dBu, ensuring minimal degradation of the microphone's native SNR. The total noise contribution is governed by:
where k is Boltzmann's constant, T is temperature, R is source resistance, and en, in are the amplifier's voltage and current noise densities.
Practical Applications and Topologies
In professional audio systems, preamplifiers employ discrete transistor designs (e.g., transformer-coupled Class A) or integrated solutions (e.g., THAT 1512 IC). Key architectures include:
- Differential Input: Rejects common-mode noise, critical for balanced microphone connections.
- Variable Gain: Adjustable via potentiometers or digitally controlled amplifiers (e.g., PGA2500).
- Phantom Power Provision: Delivers +48V to condenser microphones through balanced lines.
Modern preamplifiers often incorporate analog-to-digital converters (ADCs) for direct digital output, with performance metrics such as total harmonic distortion (THD) <0.001% at unity gain.
Historical Context
The evolution of preamplifiers parallels advancements in semiconductor technology. Early vacuum tube designs (e.g., Neumann V72) offered high linearity but limited bandwidth. Solid-state designs (e.g., Jensen 990 discrete op-amp) improved noise performance, enabling modern high-fidelity recording.
Purpose and Importance of Preamplifiers
Microphone preamplifiers serve as the first active stage in an audio signal chain, bridging the gap between low-output transducers and subsequent processing stages. The primary function of a preamplifier is to amplify weak microphone signals—often in the microvolt to millivolt range—to line-level signals (typically 0 dBV to +4 dBu) while maintaining optimal signal-to-noise ratio (SNR) and minimizing distortion.
Signal Conditioning and Impedance Matching
Microphones, particularly passive dynamic or ribbon types, generate extremely low-voltage signals susceptible to noise and interference. A preamplifier provides high input impedance to avoid loading the microphone, ensuring maximum voltage transfer. For example, a typical condenser microphone with an output impedance of 200 Ω requires a preamplifier input impedance ≥2 kΩ to prevent signal attenuation. The voltage gain (Av) of a preamplifier is derived from:
where Rf is the feedback resistor and Rg is the gain-setting resistor. For a 60 dB gain (1000×), Rf/Rg ≈ 999.
Noise Performance and Dynamic Range
Preamplifiers must exhibit ultra-low noise to preserve the integrity of weak signals. The equivalent input noise (EIN), typically measured in dBu or nV/√Hz, quantifies this performance. A high-quality preamplifier achieves EIN values below −130 dBu, ensuring minimal degradation of the microphone's native SNR. The total noise contribution is governed by:
where k is Boltzmann's constant, T is temperature, R is source resistance, and en, in are the amplifier's voltage and current noise densities.
Practical Applications and Topologies
In professional audio systems, preamplifiers employ discrete transistor designs (e.g., transformer-coupled Class A) or integrated solutions (e.g., THAT 1512 IC). Key architectures include:
- Differential Input: Rejects common-mode noise, critical for balanced microphone connections.
- Variable Gain: Adjustable via potentiometers or digitally controlled amplifiers (e.g., PGA2500).
- Phantom Power Provision: Delivers +48V to condenser microphones through balanced lines.
Modern preamplifiers often incorporate analog-to-digital converters (ADCs) for direct digital output, with performance metrics such as total harmonic distortion (THD) <0.001% at unity gain.
Historical Context
The evolution of preamplifiers parallels advancements in semiconductor technology. Early vacuum tube designs (e.g., Neumann V72) offered high linearity but limited bandwidth. Solid-state designs (e.g., Jensen 990 discrete op-amp) improved noise performance, enabling modern high-fidelity recording.
1.2 Key Performance Parameters
Noise Performance
The equivalent input noise (EIN) of a microphone preamplifier fundamentally limits its signal-to-noise ratio (SNR). For a bipolar junction transistor (BJT) input stage, the input-referred voltage noise density en and current noise density in are given by:
where rb is the base resistance, gm the transconductance, IB the base current, and Kf the flicker noise coefficient. For FET-input stages, the current noise becomes negligible while the voltage noise typically increases.
Gain Accuracy and Linearity
The closed-loop gain ACL of a feedback preamplifier depends on the open-loop gain AOL and feedback factor β:
Nonlinearity arises primarily from the input stage's transconductance variation and output stage clipping. Total harmonic distortion (THD) below 0.001% is achievable with careful biasing and large loop gain.
Common-Mode Rejection Ratio (CMRR)
CMRR quantifies the amplifier's ability to reject interference on both input lines. For a differential pair with emitter degeneration resistance RE:
Practical implementations achieve 80-120 dB CMRR at audio frequencies through matched components and symmetrical layout.
Power Supply Rejection Ratio (PSRR)
PSRR measures sensitivity to power rail variations. A two-stage Miller-compensated op-amp exhibits:
where gm1 and gm2 are transconductances of the input and second stages, respectively. Proper decoupling and regulation are critical for maintaining PSRR > 80 dB.
Input Impedance and Loading Effects
Microphone preamplifiers must present sufficiently high input impedance Zin to avoid attenuating the source signal:
where ZE is the emitter impedance. Typical values range from 1 kΩ for transformer inputs to >10 MΩ for electret microphones.
Dynamic Range and Headroom
The usable dynamic range spans from the noise floor to the clipping point:
Modern IC preamplifiers achieve >120 dB dynamic range through careful gain staging and low-noise design techniques.
1.2 Key Performance Parameters
Noise Performance
The equivalent input noise (EIN) of a microphone preamplifier fundamentally limits its signal-to-noise ratio (SNR). For a bipolar junction transistor (BJT) input stage, the input-referred voltage noise density en and current noise density in are given by:
where rb is the base resistance, gm the transconductance, IB the base current, and Kf the flicker noise coefficient. For FET-input stages, the current noise becomes negligible while the voltage noise typically increases.
Gain Accuracy and Linearity
The closed-loop gain ACL of a feedback preamplifier depends on the open-loop gain AOL and feedback factor β:
Nonlinearity arises primarily from the input stage's transconductance variation and output stage clipping. Total harmonic distortion (THD) below 0.001% is achievable with careful biasing and large loop gain.
Common-Mode Rejection Ratio (CMRR)
CMRR quantifies the amplifier's ability to reject interference on both input lines. For a differential pair with emitter degeneration resistance RE:
Practical implementations achieve 80-120 dB CMRR at audio frequencies through matched components and symmetrical layout.
Power Supply Rejection Ratio (PSRR)
PSRR measures sensitivity to power rail variations. A two-stage Miller-compensated op-amp exhibits:
where gm1 and gm2 are transconductances of the input and second stages, respectively. Proper decoupling and regulation are critical for maintaining PSRR > 80 dB.
Input Impedance and Loading Effects
Microphone preamplifiers must present sufficiently high input impedance Zin to avoid attenuating the source signal:
where ZE is the emitter impedance. Typical values range from 1 kΩ for transformer inputs to >10 MΩ for electret microphones.
Dynamic Range and Headroom
The usable dynamic range spans from the noise floor to the clipping point:
Modern IC preamplifiers achieve >120 dB dynamic range through careful gain staging and low-noise design techniques.
1.3 Types of Microphones and Their Signal Levels
Electret Condenser Microphones (ECMs)
Electret condenser microphones are widely used due to their compact size, low cost, and reasonable sensitivity. They operate on the principle of a permanently charged electret material, eliminating the need for an external polarizing voltage. The output signal level typically ranges between 5–50 mV/Pa, with an output impedance of 1–10 kΩ. Their frequency response is generally flat within 50 Hz–16 kHz, making them suitable for speech and general-purpose audio applications.
The equivalent circuit of an ECM consists of a voltage source Vmic in series with a capacitance Cmic and resistance Rmic. The output voltage can be approximated as:
where Q is the charge induced by sound pressure and ω is the angular frequency.
Dynamic Microphones
Dynamic microphones employ electromagnetic induction via a moving coil attached to a diaphragm. They are robust, require no external power, and exhibit a lower sensitivity (1–5 mV/Pa) compared to ECMs. Their output impedance is typically 150–600 Ω, making them compatible with standard audio interfaces. The frequency response varies by design but often spans 40 Hz–15 kHz.
The transduction mechanism follows Faraday's law:
where N is the number of coil turns and Φ is the magnetic flux.
Ribbon Microphones
Ribbon microphones use a thin metallic ribbon suspended in a magnetic field, offering exceptionally low mass and extended high-frequency response (20 Hz–18 kHz). Their output levels are extremely low (0.1–1 mV/Pa), necessitating high-gain, low-noise preamplifiers. Output impedance is typically 0.1–1 Ω, requiring step-up transformers for impedance matching.
Capacitive (Condenser) Microphones
Professional-grade condenser microphones require an external phantom power supply (48V) and exhibit high sensitivity (10–100 mV/Pa) with a wide dynamic range. Their output impedance is 50–200 Ω, and frequency response can extend beyond 20 Hz–20 kHz. The transduction principle is governed by:
where ΔC is the capacitance change due to diaphragm displacement and C0 is the static capacitance.
MEMS Microphones
Micro-electromechanical systems (MEMS) microphones integrate a diaphragm and ASIC into a single package, offering digital (PDM, I²S) or analog outputs. Analog variants provide 10–50 mV/Pa sensitivity with an output impedance of 100–500 Ω. Their small size and low power consumption make them ideal for embedded systems.
Signal Level Comparison
The following table summarizes typical output levels and impedance ranges:
Microphone Type | Sensitivity (mV/Pa) | Output Impedance (Ω) |
---|---|---|
Electret Condenser | 5–50 | 1k–10k |
Dynamic | 1–5 | 150–600 |
Ribbon | 0.1–1 | 0.1–1 (with transformer) |
Condenser | 10–100 | 50–200 |
MEMS | 10–50 | 100–500 |
Understanding these parameters is critical when designing preamplifier circuits, as gain staging and noise performance must be optimized for the specific microphone type.
1.3 Types of Microphones and Their Signal Levels
Electret Condenser Microphones (ECMs)
Electret condenser microphones are widely used due to their compact size, low cost, and reasonable sensitivity. They operate on the principle of a permanently charged electret material, eliminating the need for an external polarizing voltage. The output signal level typically ranges between 5–50 mV/Pa, with an output impedance of 1–10 kΩ. Their frequency response is generally flat within 50 Hz–16 kHz, making them suitable for speech and general-purpose audio applications.
The equivalent circuit of an ECM consists of a voltage source Vmic in series with a capacitance Cmic and resistance Rmic. The output voltage can be approximated as:
where Q is the charge induced by sound pressure and ω is the angular frequency.
Dynamic Microphones
Dynamic microphones employ electromagnetic induction via a moving coil attached to a diaphragm. They are robust, require no external power, and exhibit a lower sensitivity (1–5 mV/Pa) compared to ECMs. Their output impedance is typically 150–600 Ω, making them compatible with standard audio interfaces. The frequency response varies by design but often spans 40 Hz–15 kHz.
The transduction mechanism follows Faraday's law:
where N is the number of coil turns and Φ is the magnetic flux.
Ribbon Microphones
Ribbon microphones use a thin metallic ribbon suspended in a magnetic field, offering exceptionally low mass and extended high-frequency response (20 Hz–18 kHz). Their output levels are extremely low (0.1–1 mV/Pa), necessitating high-gain, low-noise preamplifiers. Output impedance is typically 0.1–1 Ω, requiring step-up transformers for impedance matching.
Capacitive (Condenser) Microphones
Professional-grade condenser microphones require an external phantom power supply (48V) and exhibit high sensitivity (10–100 mV/Pa) with a wide dynamic range. Their output impedance is 50–200 Ω, and frequency response can extend beyond 20 Hz–20 kHz. The transduction principle is governed by:
where ΔC is the capacitance change due to diaphragm displacement and C0 is the static capacitance.
MEMS Microphones
Micro-electromechanical systems (MEMS) microphones integrate a diaphragm and ASIC into a single package, offering digital (PDM, I²S) or analog outputs. Analog variants provide 10–50 mV/Pa sensitivity with an output impedance of 100–500 Ω. Their small size and low power consumption make them ideal for embedded systems.
Signal Level Comparison
The following table summarizes typical output levels and impedance ranges:
Microphone Type | Sensitivity (mV/Pa) | Output Impedance (Ω) |
---|---|---|
Electret Condenser | 5–50 | 1k–10k |
Dynamic | 1–5 | 150–600 |
Ribbon | 0.1–1 | 0.1–1 (with transformer) |
Condenser | 10–100 | 50–200 |
MEMS | 10–50 | 100–500 |
Understanding these parameters is critical when designing preamplifier circuits, as gain staging and noise performance must be optimized for the specific microphone type.
2. Single-Stage Transistor Preamplifiers
2.1 Single-Stage Transistor Preamplifiers
Basic Configuration and Biasing
Single-stage transistor preamplifiers typically employ a common-emitter (CE) or common-source (CS) configuration for voltage gain. The CE bipolar junction transistor (BJT) or CS field-effect transistor (FET) stage provides moderate gain (20–50 dB) while maintaining reasonable noise performance. Proper DC biasing is critical to ensure linear operation and avoid signal clipping. For a BJT CE stage, the quiescent collector current \(I_C\) is set via resistor-divider biasing or active current sources.
Small-Signal Analysis
The voltage gain \(A_v\) of a CE stage is derived from the hybrid-\(\pi\) model. The transconductance \(g_m\) and output resistance \(r_o\) dominate the small-signal behavior:
For FET-based stages, replace \(g_m\) with the FET transconductance \(g_{fs}\) and omit \(r_\pi\).
Input and Output Impedance
The input impedance \(Z_{in}\) of a CE stage is approximately \(R_1 \parallel R_2 \parallel r_\pi\), while the output impedance \(Z_{out}\) is dominated by \(R_C\) (for BJTs) or \(R_D\) (for FETs). High-impedance microphone signals require \(Z_{in} \gg\) the source impedance to prevent loading.
Noise Considerations
Thermal noise from biasing resistors and transistor shot noise contribute to the total noise figure (NF). For low-noise designs:
- Minimize \(R_B\) values to reduce thermal noise.
- Operate the transistor at optimal \(I_C\) for minimum noise figure.
- Use FETs for high-impedance sources where BJT base current noise becomes significant.
Practical Design Example
A typical CE preamplifier for a dynamic microphone (200Ω source) might use:
- BJT: 2N3904 with \(I_C = 1 \text{mA}\)
- \(R_C = 2.2 \text{k}\Omega\), \(R_E = 220 \Omega\) (bypassed)
- Gain \(A_v \approx -40\) (32 dB)
- Input capacitor \(C_{in} \geq \frac{1}{2\pi f_L R_{in}}\) for bass response
Frequency Response
The low-frequency cutoff \(f_L\) is set by coupling capacitors (\(C_{in}\), \(C_{out}\)) and emitter bypass capacitor \(C_E\):
High-frequency roll-off is dominated by Miller capacitance \(C_{cb}\) and parasitic capacitances.
2.1 Single-Stage Transistor Preamplifiers
Basic Configuration and Biasing
Single-stage transistor preamplifiers typically employ a common-emitter (CE) or common-source (CS) configuration for voltage gain. The CE bipolar junction transistor (BJT) or CS field-effect transistor (FET) stage provides moderate gain (20–50 dB) while maintaining reasonable noise performance. Proper DC biasing is critical to ensure linear operation and avoid signal clipping. For a BJT CE stage, the quiescent collector current \(I_C\) is set via resistor-divider biasing or active current sources.
Small-Signal Analysis
The voltage gain \(A_v\) of a CE stage is derived from the hybrid-\(\pi\) model. The transconductance \(g_m\) and output resistance \(r_o\) dominate the small-signal behavior:
For FET-based stages, replace \(g_m\) with the FET transconductance \(g_{fs}\) and omit \(r_\pi\).
Input and Output Impedance
The input impedance \(Z_{in}\) of a CE stage is approximately \(R_1 \parallel R_2 \parallel r_\pi\), while the output impedance \(Z_{out}\) is dominated by \(R_C\) (for BJTs) or \(R_D\) (for FETs). High-impedance microphone signals require \(Z_{in} \gg\) the source impedance to prevent loading.
Noise Considerations
Thermal noise from biasing resistors and transistor shot noise contribute to the total noise figure (NF). For low-noise designs:
- Minimize \(R_B\) values to reduce thermal noise.
- Operate the transistor at optimal \(I_C\) for minimum noise figure.
- Use FETs for high-impedance sources where BJT base current noise becomes significant.
Practical Design Example
A typical CE preamplifier for a dynamic microphone (200Ω source) might use:
- BJT: 2N3904 with \(I_C = 1 \text{mA}\)
- \(R_C = 2.2 \text{k}\Omega\), \(R_E = 220 \Omega\) (bypassed)
- Gain \(A_v \approx -40\) (32 dB)
- Input capacitor \(C_{in} \geq \frac{1}{2\pi f_L R_{in}}\) for bass response
Frequency Response
The low-frequency cutoff \(f_L\) is set by coupling capacitors (\(C_{in}\), \(C_{out}\)) and emitter bypass capacitor \(C_E\):
High-frequency roll-off is dominated by Miller capacitance \(C_{cb}\) and parasitic capacitances.
2.2 Op-Amp Based Preamplifiers
Basic Op-Amp Preamplifier Topologies
Operational amplifiers (op-amps) are the cornerstone of high-performance microphone preamplifiers due to their high gain, low noise, and excellent common-mode rejection. The two most common configurations are the inverting and non-inverting topologies, each with distinct advantages in noise performance and input impedance.
For a non-inverting amplifier, the voltage gain \(A_v\) is given by:
where \(R_f\) is the feedback resistor and \(R_g\) is the ground resistor. This configuration provides high input impedance, minimizing loading effects on the microphone.
In contrast, the inverting amplifier has a gain of:
where \(R_{in}\) is the input resistor. While this topology offers better noise performance for low-impedance microphones, it introduces a lower input impedance, which may not be suitable for high-Z sources.
Noise Considerations in Op-Amp Preamplifiers
The total input-referred noise voltage \(e_n\) of an op-amp preamplifier is dominated by three primary sources:
- Op-amp voltage noise (\(e_{amp}\)): Typically specified in nV/√Hz in the datasheet.
- Op-amp current noise (\(i_{amp}\)): Interacts with source impedance to produce additional voltage noise.
- Resistor thermal noise (\(e_R\)): Given by \( \sqrt{4kTRB} \), where \(k\) is Boltzmann's constant, \(T\) is temperature, \(R\) is resistance, and \(B\) is bandwidth.
The total noise can be approximated as:
where \(Z_s\) is the source impedance. For optimal noise performance, select op-amps with low \(e_{amp}\) and \(i_{amp}\), and minimize resistor values where practical.
Practical Implementation: Instrumentation-Grade Preamplifier
High-end microphone preamplifiers often use a composite amplifier approach, combining a low-noise JFET input stage with a precision op-amp. The following circuit demonstrates this:
Key design considerations include:
- Using matched resistor networks (0.1% tolerance or better) to maintain CMRR > 100 dB
- Implementing RFI filters at inputs for EMI protection
- Selecting op-amps with GBP > 10 MHz to maintain stability at maximum gain
Advanced Techniques: Noise Cancelling Architectures
For ultra-low noise applications, balanced microphone inputs employ a differential amplifier configuration. The common-mode rejection ratio (CMRR) is critical and depends on resistor matching:
where \(A_d\) is the differential gain and \(\Delta R/R\) is the resistor mismatch ratio. Modern implementations often use active feedback techniques to boost CMRR beyond 120 dB.
2.2 Op-Amp Based Preamplifiers
Basic Op-Amp Preamplifier Topologies
Operational amplifiers (op-amps) are the cornerstone of high-performance microphone preamplifiers due to their high gain, low noise, and excellent common-mode rejection. The two most common configurations are the inverting and non-inverting topologies, each with distinct advantages in noise performance and input impedance.
For a non-inverting amplifier, the voltage gain \(A_v\) is given by:
where \(R_f\) is the feedback resistor and \(R_g\) is the ground resistor. This configuration provides high input impedance, minimizing loading effects on the microphone.
In contrast, the inverting amplifier has a gain of:
where \(R_{in}\) is the input resistor. While this topology offers better noise performance for low-impedance microphones, it introduces a lower input impedance, which may not be suitable for high-Z sources.
Noise Considerations in Op-Amp Preamplifiers
The total input-referred noise voltage \(e_n\) of an op-amp preamplifier is dominated by three primary sources:
- Op-amp voltage noise (\(e_{amp}\)): Typically specified in nV/√Hz in the datasheet.
- Op-amp current noise (\(i_{amp}\)): Interacts with source impedance to produce additional voltage noise.
- Resistor thermal noise (\(e_R\)): Given by \( \sqrt{4kTRB} \), where \(k\) is Boltzmann's constant, \(T\) is temperature, \(R\) is resistance, and \(B\) is bandwidth.
The total noise can be approximated as:
where \(Z_s\) is the source impedance. For optimal noise performance, select op-amps with low \(e_{amp}\) and \(i_{amp}\), and minimize resistor values where practical.
Practical Implementation: Instrumentation-Grade Preamplifier
High-end microphone preamplifiers often use a composite amplifier approach, combining a low-noise JFET input stage with a precision op-amp. The following circuit demonstrates this:
Key design considerations include:
- Using matched resistor networks (0.1% tolerance or better) to maintain CMRR > 100 dB
- Implementing RFI filters at inputs for EMI protection
- Selecting op-amps with GBP > 10 MHz to maintain stability at maximum gain
Advanced Techniques: Noise Cancelling Architectures
For ultra-low noise applications, balanced microphone inputs employ a differential amplifier configuration. The common-mode rejection ratio (CMRR) is critical and depends on resistor matching:
where \(A_d\) is the differential gain and \(\Delta R/R\) is the resistor mismatch ratio. Modern implementations often use active feedback techniques to boost CMRR beyond 120 dB.
2.3 Transformer-Coupled Preamplifiers
Transformer-coupled preamplifiers leverage magnetic coupling to achieve impedance matching, galvanic isolation, and signal conditioning. Unlike resistive or active preamplifiers, they rely on inductive coupling between primary and secondary windings to transfer the signal while rejecting common-mode noise.
Operating Principle
The voltage gain of a transformer-coupled preamplifier is determined by the turns ratio N between primary (Np) and secondary (Ns) windings. For an ideal transformer, the voltage transfer function is:
In practice, transformer losses due to leakage inductance (Lleak) and winding resistance (Rw) must be accounted for. The frequency response is governed by the transformer's self-resonant frequency (fr), given by:
where Lp is the primary inductance and Cp is the parasitic capacitance.
Impedance Matching
Transformers provide impedance transformation according to:
This allows matching low-impedance microphones (e.g., 150–600 Ω) to high-impedance amplifier inputs (e.g., 10–50 kΩ). Proper matching maximizes power transfer while minimizing reflections.
Noise and Distortion Considerations
Key non-ideal effects include:
- Core saturation at low frequencies, causing harmonic distortion
- Eddy current losses in laminated cores, increasing thermal noise
- Interwinding capacitance, which limits high-frequency response
The equivalent input noise voltage (en) can be modeled as:
where B is flux density, Ac is core cross-section, and δ is skin depth.
Practical Implementations
High-end audio transformers use:
- Mu-metal shielding to reduce hum pickup
- Split bobbin windings to minimize interwinding capacitance
- Permalloy cores for high permeability at low flux densities
For ribbon microphones, step-up ratios of 1:10 to 1:30 are common, providing 20–30 dB of voltage gain before active stages.
2.3 Transformer-Coupled Preamplifiers
Transformer-coupled preamplifiers leverage magnetic coupling to achieve impedance matching, galvanic isolation, and signal conditioning. Unlike resistive or active preamplifiers, they rely on inductive coupling between primary and secondary windings to transfer the signal while rejecting common-mode noise.
Operating Principle
The voltage gain of a transformer-coupled preamplifier is determined by the turns ratio N between primary (Np) and secondary (Ns) windings. For an ideal transformer, the voltage transfer function is:
In practice, transformer losses due to leakage inductance (Lleak) and winding resistance (Rw) must be accounted for. The frequency response is governed by the transformer's self-resonant frequency (fr), given by:
where Lp is the primary inductance and Cp is the parasitic capacitance.
Impedance Matching
Transformers provide impedance transformation according to:
This allows matching low-impedance microphones (e.g., 150–600 Ω) to high-impedance amplifier inputs (e.g., 10–50 kΩ). Proper matching maximizes power transfer while minimizing reflections.
Noise and Distortion Considerations
Key non-ideal effects include:
- Core saturation at low frequencies, causing harmonic distortion
- Eddy current losses in laminated cores, increasing thermal noise
- Interwinding capacitance, which limits high-frequency response
The equivalent input noise voltage (en) can be modeled as:
where B is flux density, Ac is core cross-section, and δ is skin depth.
Practical Implementations
High-end audio transformers use:
- Mu-metal shielding to reduce hum pickup
- Split bobbin windings to minimize interwinding capacitance
- Permalloy cores for high permeability at low flux densities
For ribbon microphones, step-up ratios of 1:10 to 1:30 are common, providing 20–30 dB of voltage gain before active stages.
3. Low-Noise Design Strategies
3.1 Low-Noise Design Strategies
Minimizing noise in microphone preamplifiers is critical for preserving signal integrity, particularly in high-gain applications. The primary noise sources include thermal noise, shot noise, and flicker noise, each governed by distinct physical mechanisms. A comprehensive low-noise design strategy must address both intrinsic device noise and external interference.
Noise Sources and Their Mathematical Models
Thermal noise, or Johnson-Nyquist noise, arises from random charge carrier motion in resistive elements. The spectral density is given by:
where k is Boltzmann's constant (1.38 × 10-23 J/K), T is absolute temperature, R is resistance, and Δf is bandwidth. For a 1 kΩ resistor at 300 K, this yields 4 nV/√Hz.
Shot noise in active devices follows Poisson statistics:
where q is electron charge (1.6 × 10-19 C) and I is DC current. Bipolar transistors exhibit both shot and thermal noise, while FETs primarily show thermal noise in their channel resistance.
Optimal Device Selection
Low-noise bipolar transistors (BJTs) typically outperform FETs at audio frequencies due to their lower voltage noise. The equivalent input noise voltage and current for a BJT are:
where rb is base resistance, gm is transconductance, Kf is flicker noise coefficient, and a is an empirical constant (typically 1-2). For ultra-low-noise designs, selected BJTs like the THAT 1512 or SSM2019 achieve noise figures below 1 nV/√Hz at 1 kHz.
Impedance Matching and Noise Optimization
The noise figure (NF) reaches minimum when source impedance Rs equals the optimum value:
For microphone applications, this typically ranges from 150 Ω to 2 kΩ. Transformer coupling can provide impedance transformation while maintaining low noise. A 1:10 step-up transformer increases the microphone signal by 20 dB while reducing the equivalent input noise contribution of subsequent stages by the same factor.
Circuit Topology Considerations
Balanced differential architectures reject common-mode noise. The figure of merit for differential pairs is the common-mode rejection ratio (CMRR):
where Ad is differential gain and Ac is common-mode gain. Modern instrumentation amplifiers achieve CMRR > 100 dB at audio frequencies.
Power Supply Rejection Techniques
Power supply noise couples into the signal path through various mechanisms. Cascode configurations improve PSRR by:
where gm2 is the cascode transistor's transconductance and ro2 is its output resistance. Active filtering using low-noise regulators like the LT3042 (0.8 μV RMS noise) further reduces supply-induced artifacts.
Layout and Shielding Practices
Ground plane segmentation prevents digital noise coupling into analog sections. The critical parameter is transfer impedance Zt between circuits:
Proper shielding reduces electromagnetic interference (EMI) by creating a Faraday cage. For microphone inputs, twisted-pair cabling with >85% braid coverage typically achieves 60-80 dB of RF attenuation.
3.1 Low-Noise Design Strategies
Minimizing noise in microphone preamplifiers is critical for preserving signal integrity, particularly in high-gain applications. The primary noise sources include thermal noise, shot noise, and flicker noise, each governed by distinct physical mechanisms. A comprehensive low-noise design strategy must address both intrinsic device noise and external interference.
Noise Sources and Their Mathematical Models
Thermal noise, or Johnson-Nyquist noise, arises from random charge carrier motion in resistive elements. The spectral density is given by:
where k is Boltzmann's constant (1.38 × 10-23 J/K), T is absolute temperature, R is resistance, and Δf is bandwidth. For a 1 kΩ resistor at 300 K, this yields 4 nV/√Hz.
Shot noise in active devices follows Poisson statistics:
where q is electron charge (1.6 × 10-19 C) and I is DC current. Bipolar transistors exhibit both shot and thermal noise, while FETs primarily show thermal noise in their channel resistance.
Optimal Device Selection
Low-noise bipolar transistors (BJTs) typically outperform FETs at audio frequencies due to their lower voltage noise. The equivalent input noise voltage and current for a BJT are:
where rb is base resistance, gm is transconductance, Kf is flicker noise coefficient, and a is an empirical constant (typically 1-2). For ultra-low-noise designs, selected BJTs like the THAT 1512 or SSM2019 achieve noise figures below 1 nV/√Hz at 1 kHz.
Impedance Matching and Noise Optimization
The noise figure (NF) reaches minimum when source impedance Rs equals the optimum value:
For microphone applications, this typically ranges from 150 Ω to 2 kΩ. Transformer coupling can provide impedance transformation while maintaining low noise. A 1:10 step-up transformer increases the microphone signal by 20 dB while reducing the equivalent input noise contribution of subsequent stages by the same factor.
Circuit Topology Considerations
Balanced differential architectures reject common-mode noise. The figure of merit for differential pairs is the common-mode rejection ratio (CMRR):
where Ad is differential gain and Ac is common-mode gain. Modern instrumentation amplifiers achieve CMRR > 100 dB at audio frequencies.
Power Supply Rejection Techniques
Power supply noise couples into the signal path through various mechanisms. Cascode configurations improve PSRR by:
where gm2 is the cascode transistor's transconductance and ro2 is its output resistance. Active filtering using low-noise regulators like the LT3042 (0.8 μV RMS noise) further reduces supply-induced artifacts.
Layout and Shielding Practices
Ground plane segmentation prevents digital noise coupling into analog sections. The critical parameter is transfer impedance Zt between circuits:
Proper shielding reduces electromagnetic interference (EMI) by creating a Faraday cage. For microphone inputs, twisted-pair cabling with >85% braid coverage typically achieves 60-80 dB of RF attenuation.
3.2 Impedance Matching Considerations
Impedance matching in microphone preamplifier circuits is critical for maximizing power transfer, minimizing signal reflections, and reducing noise. A mismatch between the microphone's output impedance and the preamplifier's input impedance can lead to signal degradation, frequency response anomalies, and increased susceptibility to electromagnetic interference (EMI).
Theoretical Basis
The power transfer from a source (microphone) to a load (preamplifier) is maximized when their impedances are complex conjugates. For a source impedance ZS = RS + jXS and load impedance ZL = RL + jXL, the condition for maximum power transfer is:
In audio applications, microphones typically exhibit a resistive output impedance (e.g., 150Ω–600Ω for dynamic microphones, 50Ω–200Ω for condenser microphones). The preamplifier's input impedance should be at least 5–10 times higher than the microphone's output impedance to avoid loading effects, ensuring minimal voltage drop across the source.
Practical Implications
Mismatched impedances introduce several issues:
- Frequency Response Distortion: A low input impedance relative to the microphone's output impedance forms a voltage divider, attenuating high frequencies if the cable capacitance becomes significant.
- Noise Performance: Optimal noise matching often requires a different impedance ratio than power matching, particularly for low-output microphones (e.g., ribbon mics).
- Signal Reflections: High-frequency components can reflect at impedance discontinuities, causing phase distortion and ringing.
Input Impedance Design
A well-designed preamplifier input stage should present a high impedance to the microphone while maintaining low noise. For a bipolar junction transistor (BJT) input stage, the input impedance Zin is given by:
where rπ is the base-emitter resistance, β is the current gain, and RE is the emitter degeneration resistor. For field-effect transistors (FETs), the input impedance is primarily determined by the gate resistor RG, often in the range of 1MΩ–10MΩ.
Case Study: Transformer Coupling
Transformers are sometimes used for impedance matching in high-end preamplifiers. The turns ratio N relates the impedance transformation by:
For example, a transformer with a 1:10 turns ratio converts a 150Ω microphone output to 15kΩ at the preamplifier input, improving noise performance while maintaining signal integrity.
Noise Considerations
The equivalent input noise of a preamplifier depends on the source impedance. For a given source resistance RS, the optimal noise figure is achieved when:
where vn and in are the voltage and current noise densities of the amplifier. Mismatched impedances degrade the signal-to-noise ratio (SNR), particularly in low-level microphone signals.
3.2 Impedance Matching Considerations
Impedance matching in microphone preamplifier circuits is critical for maximizing power transfer, minimizing signal reflections, and reducing noise. A mismatch between the microphone's output impedance and the preamplifier's input impedance can lead to signal degradation, frequency response anomalies, and increased susceptibility to electromagnetic interference (EMI).
Theoretical Basis
The power transfer from a source (microphone) to a load (preamplifier) is maximized when their impedances are complex conjugates. For a source impedance ZS = RS + jXS and load impedance ZL = RL + jXL, the condition for maximum power transfer is:
In audio applications, microphones typically exhibit a resistive output impedance (e.g., 150Ω–600Ω for dynamic microphones, 50Ω–200Ω for condenser microphones). The preamplifier's input impedance should be at least 5–10 times higher than the microphone's output impedance to avoid loading effects, ensuring minimal voltage drop across the source.
Practical Implications
Mismatched impedances introduce several issues:
- Frequency Response Distortion: A low input impedance relative to the microphone's output impedance forms a voltage divider, attenuating high frequencies if the cable capacitance becomes significant.
- Noise Performance: Optimal noise matching often requires a different impedance ratio than power matching, particularly for low-output microphones (e.g., ribbon mics).
- Signal Reflections: High-frequency components can reflect at impedance discontinuities, causing phase distortion and ringing.
Input Impedance Design
A well-designed preamplifier input stage should present a high impedance to the microphone while maintaining low noise. For a bipolar junction transistor (BJT) input stage, the input impedance Zin is given by:
where rπ is the base-emitter resistance, β is the current gain, and RE is the emitter degeneration resistor. For field-effect transistors (FETs), the input impedance is primarily determined by the gate resistor RG, often in the range of 1MΩ–10MΩ.
Case Study: Transformer Coupling
Transformers are sometimes used for impedance matching in high-end preamplifiers. The turns ratio N relates the impedance transformation by:
For example, a transformer with a 1:10 turns ratio converts a 150Ω microphone output to 15kΩ at the preamplifier input, improving noise performance while maintaining signal integrity.
Noise Considerations
The equivalent input noise of a preamplifier depends on the source impedance. For a given source resistance RS, the optimal noise figure is achieved when:
where vn and in are the voltage and current noise densities of the amplifier. Mismatched impedances degrade the signal-to-noise ratio (SNR), particularly in low-level microphone signals.
Balanced vs. Unbalanced Inputs
Signal Transmission Fundamentals
Balanced and unbalanced inputs differ fundamentally in their noise rejection and signal integrity characteristics. An unbalanced input consists of a single conductor (signal) referenced to ground, while a balanced input uses two conductors (signal+ and signal−) with equal impedance to ground. The latter exploits common-mode rejection to cancel interference.
Here, \(A_d\) is the differential gain, and \(A_c\) is the common-mode gain. A high-quality balanced preamplifier maximizes the common-mode rejection ratio (CMRR):
Noise Rejection Mechanisms
Balanced inputs reject noise through two mechanisms:
- Electromagnetic interference (EMI) cancellation: Induced noise appears equally on both signal lines and is subtracted by the differential amplifier.
- Ground loop elimination: The symmetric impedance path minimizes ground potential differences.
For a twisted-pair cable with characteristic impedance \(Z_0\), the noise voltage \(V_n\) induced on both conductors is:
where \(M\) is mutual inductance. The differential amplifier outputs \(V_+ - V_- = (V_s + V_n) - (-V_s + V_n) = 2V_s\), effectively nullifying \(V_n\).
Practical Circuit Implementations
A typical balanced preamplifier uses an instrumentation amplifier or a transformer-coupled design. For an active balanced receiver:
The input stage often includes RFI filters (e.g., 10–100 pF capacitors) and impedance-matching networks to maintain signal integrity. For transformer-based designs, the turn ratio and core material (e.g., Mu-metal) critically affect CMRR and frequency response.
Performance Trade-offs
Parameter | Balanced | Unbalanced |
---|---|---|
CMRR | >60 dB | ~0 dB |
Cable Length | ≤100 m (pro audio) | ≤3 m (consumer) |
Cost | Higher (2× components) | Lower |
Historical Context
Balanced audio transmission dates back to early telephone systems (1920s), where Bell Labs pioneered twisted-pair lines to combat crosstalk. Modern pro-audio standards like AES3 (digital) and ANSI RS-422 (analog) mandate balanced interfaces for noise resilience.
Balanced vs. Unbalanced Inputs
Signal Transmission Fundamentals
Balanced and unbalanced inputs differ fundamentally in their noise rejection and signal integrity characteristics. An unbalanced input consists of a single conductor (signal) referenced to ground, while a balanced input uses two conductors (signal+ and signal−) with equal impedance to ground. The latter exploits common-mode rejection to cancel interference.
Here, \(A_d\) is the differential gain, and \(A_c\) is the common-mode gain. A high-quality balanced preamplifier maximizes the common-mode rejection ratio (CMRR):
Noise Rejection Mechanisms
Balanced inputs reject noise through two mechanisms:
- Electromagnetic interference (EMI) cancellation: Induced noise appears equally on both signal lines and is subtracted by the differential amplifier.
- Ground loop elimination: The symmetric impedance path minimizes ground potential differences.
For a twisted-pair cable with characteristic impedance \(Z_0\), the noise voltage \(V_n\) induced on both conductors is:
where \(M\) is mutual inductance. The differential amplifier outputs \(V_+ - V_- = (V_s + V_n) - (-V_s + V_n) = 2V_s\), effectively nullifying \(V_n\).
Practical Circuit Implementations
A typical balanced preamplifier uses an instrumentation amplifier or a transformer-coupled design. For an active balanced receiver:
The input stage often includes RFI filters (e.g., 10–100 pF capacitors) and impedance-matching networks to maintain signal integrity. For transformer-based designs, the turn ratio and core material (e.g., Mu-metal) critically affect CMRR and frequency response.
Performance Trade-offs
Parameter | Balanced | Unbalanced |
---|---|---|
CMRR | >60 dB | ~0 dB |
Cable Length | ≤100 m (pro audio) | ≤3 m (consumer) |
Cost | Higher (2× components) | Lower |
Historical Context
Balanced audio transmission dates back to early telephone systems (1920s), where Bell Labs pioneered twisted-pair lines to combat crosstalk. Modern pro-audio standards like AES3 (digital) and ANSI RS-422 (analog) mandate balanced interfaces for noise resilience.
4. PCB Layout Best Practices
4.1 PCB Layout Best Practices
Grounding Strategies
Proper grounding is critical in microphone preamplifier circuits to minimize noise and interference. A star grounding topology ensures that high-current return paths do not share traces with sensitive analog signals. The ground plane should be partitioned into analog and digital sections, connected at a single point near the power supply. For mixed-signal designs, a split ground plane with controlled impedance reduces crosstalk.
where \(I_{ground}\) is the return current and \(R_{trace}\) is the parasitic resistance of the ground path.
Component Placement
Place the preamplifier IC as close as possible to the microphone input connector to minimize parasitic capacitance and inductance. Critical components (e.g., feedback resistors, decoupling capacitors) must be positioned adjacent to their associated pins. High-frequency bypass capacitors (0.1 μF ceramic) should be placed within 5 mm of the power pins, followed by bulk electrolytic capacitors (10–100 μF) near the power entry point.
Trace Routing
Signal traces carrying low-level microphone signals (<1 mV) must be:
- Kept as short as possible (<2 cm preferred)
- Routed away from high-speed digital lines or switching power supplies
- Guarded by ground traces on both sides to reduce capacitive coupling
For differential microphone inputs, maintain strict symmetry in trace lengths (<0.1 mm mismatch) to preserve common-mode rejection ratio (CMRR):
where \(A_d\) is the differential gain and \(A_c\) is the common-mode gain.
Power Distribution
Use a hierarchical power tree with progressively smaller trace widths as branching occurs. For op-amp supplies, implement an RC filter (e.g., 10 Ω + 100 μF) to suppress power rail noise. The PCB should include multiple vias connecting power planes to reduce impedance:
where \(C_{via}\) and \(L_{via}\) are the parasitic capacitance and inductance of the via.
Shielding and EMI Mitigation
Enclose sensitive analog sections in a Faraday cage using:
- Copper pours connected to ground at multiple points
- Board-level shielding cans for critical stages
- Ferrite beads on I/O lines to suppress RF interference
The effectiveness of shielding depends on the skin depth (\(\delta\)) at the interference frequency:
where \(\rho\) is resistivity, \(\omega\) is angular frequency, and \(\mu\) is permeability.
Thermal Management
For Class A preamplifier stages dissipating >100 mW, use:
- Thermal relief pads for heat dissipation
- Copper pours under power components as heat spreaders
- Thermal vias to transfer heat to inner layers
The junction temperature (\(T_j\)) can be estimated from the thermal resistance (\(\theta_{JA}\)):
where \(T_a\) is ambient temperature and \(P\) is power dissipation.
4.2 Grounding and Shielding Techniques
Grounding and shielding are critical in microphone preamplifier circuits to minimize noise, hum, and electromagnetic interference (EMI). Poor grounding can introduce ground loops, while inadequate shielding allows external fields to couple into sensitive signal paths.
Grounding Strategies
Effective grounding in preamplifiers relies on star grounding, where all ground returns converge at a single low-impedance point. This prevents circulating currents between different circuit stages. The ground reference for high-gain stages should be isolated from noisy power supply returns.
where \( I_{ground} \) is the stray current and \( Z_{ground} \) is the parasitic impedance of the ground path. Minimizing \( Z_{ground} \) reduces noise coupling.
Shielding Principles
Electrostatic shielding with conductive enclosures attenuates external electric fields. For magnetic shielding, high-permeability materials like mu-metal are used, particularly in low-frequency applications. The shield’s effectiveness is quantified by its shielding effectiveness (SE):
A fully enclosed shield provides the best attenuation, but even partial shielding can reduce interference if properly grounded.
Practical Implementation
- Cable shielding: Use twisted-pair or coaxial cables with the shield grounded at one end to prevent ground loops.
- Chassis grounding: Connect the circuit ground to the chassis at a single point to avoid circulating currents.
- Component placement: Keep high-impedance nodes away from power supplies and transformers to minimize inductive coupling.
Common Pitfalls
Floating shields or multiple ground connections create unintended paths for noise. Similarly, grounding the shield at both ends in balanced audio systems can introduce hum due to potential differences between ground points.
4.3 Common Issues and Solutions
Noise and Interference
Microphone preamplifiers are highly susceptible to noise due to their high gain. Thermal noise, shot noise, and flicker noise dominate in low-signal conditions. The total input-referred noise voltage Vn can be derived from the equivalent noise bandwidth (ENBW):
where k is Boltzmann’s constant, T is temperature, R is source resistance, and Kf is the flicker noise coefficient. Shielding the input stage and using low-noise JFETs or bipolar transistors with high fT reduces noise.
DC Offset and Drift
DC offsets arise from input bias currents mismatched in differential pairs. For an op-amp preamp, the output offset voltage is:
where IB+ and IB- are input bias currents. Auto-zeroing circuits or chopper stabilization techniques mitigate drift in precision applications.
Instability and Oscillation
High-gain preamps risk instability due to parasitic capacitance (Cp) and feedback phase lag. The stability criterion requires:
Adding a dominant pole via Miller compensation (Cc ≈ 10–30 pF) or reducing the feedback resistor (Rf) suppresses oscillation.
Power Supply Rejection (PSR)
Poor PSR allows supply ripple (ΔVdd) to modulate the output. For a standard non-inverting op-amp stage:
Decoupling capacitors (C ≥ 100 μF) and active regulators (e.g., LDOs) improve PSR beyond 60 dB.
Distortion in High-Gain Stages
THD increases with gain due to nonlinearities in active devices. For a BJT input stage, second-harmonic distortion is approximated by:
where VT is thermal voltage and re is emitter resistance. Using negative feedback or cascode topologies reduces THD below 0.01%.
Ground Loops
Ground loops introduce hum at 50/60 Hz. The induced voltage Vloop is proportional to the loop area A and magnetic flux density B:
Star grounding, balanced (XLR) connections, or isolation transformers break ground loops effectively.
Microphone Biasing Issues
Electret microphones require stable bias voltages (Vbias ≈ 2–10 V). A poorly designed bias network introduces noise or dropout. The optimal bias resistor Rbias is:
where Ibias is typically 0.5–1 mA. A low-noise JFET follower or dedicated bias IC (e.g., MAX9814) ensures stability.
5. Recommended Books and Papers
5.1 Recommended Books and Papers
- 5.1 Channel Preamplifier : 5 Steps - Instructables — 5.1 Channel Preamplifier: This project introduces a digitally controlled 5.1 channel audio preamplifier system. ... This preamplifier consists of six TL074/TL072 preamplifier stages and PT2258 electronic volume control. ... The recommended transformer for this circuit is 6V×2 (1A) step-down transformer. The given power supply circuit consists ...
- PDF Elect ret Microphone - Texas Instruments — Figure 1: Measured transfer function of the microphone pre-amplifier circuit -14-12-10-8-6-4-2 0 10 100 1000 10000 100000 V) Frequency (Hz) Transfer Function Magnitude . www.ti.com TIDU765-January 2015 Single-Supply, Electret Microphone Pre-Amplifier Reference Design 3
- 5.1 Channel Preamplifier for Audio System - Instructables — 5.1 Channel Preamplifier for Audio System: This one supports 4 channels for different speakers at 25watts each plus a 100watt subwoofer channel which makes it the best of its own. ... I made a suitable circuit for proper filtration and rectification of linear power supply. Attachments. Schematic_4.1 PREAMP_2022-07-03.pdf. Download.
- 5.1 channel preamplifier - Hackster.io — The provided PCB design contains a preamplifier, buffer stages, digital volume control circuit, driver circuit, and power supply unit. The recommended transformer for this circuit is 6V×2 (1A) step-down transformer. The given power supply circuit consists of three voltage regulators, including LM317, LM337, and L7805.
- PDF Designing Audio Circuits and Systems - CordellAudio.com — 2.1 Preamplifier Block Diagram 2.2 Line Level Signal Path Input Buffer and Balance Control Volume Control and Output Buffer Balanced Outputs 2.3 Tone Controls 2.4 Muting Circuit 2.5 Moving Magnet Phono Preamplifier DC Servo RIAA Equalization Noise Signal Levels and Overload Infrasonic Filter
- Analog Electronics Lab: Microphone Preamplifier Circuit Design | Course ... — School of Electrical & Electronic Engineering EE2002 Analog Electronics Academic Year 2022-2023 L2002A Microphone Preamplifier using a rail-to-rail Opamp Project Lab (S2-B4a-01) Dress Code in the Laboratory • Work shirt that covers the upper torso and arms. • Lower body clothing that covers the entire leg. • Closed-toe shoes that cover the top of the foot.
- Build Your Own Microphone Preamplifier: A How-To Guide - Electronics Hub — Circuit Design of Preamplifier. In the preamplifier circuit, LM358 Op-Amp is used. It is connected in a negative feedback fashion with a 1MΩ POT connected in the feedback path. The input from the microphone is given to the inverting terminal of the op amp while the non-inverting terminal is given with a constant input from the voltage divider ...
- DIY and Hi-Fi Audio Schematics - DIY AUDIO PROJECTS — Many of these diy Audio Books contain ... Last update: 24 July 2016. Follow DIY Audio Projects. Share. DIY Audio Schematics Tube Linestage Preamplifiers. 4S Universal Preamplifier for 12A*7 Tubes - (Project) NEW ; 12AU7 / ECC82 / ECC802S Tube ... SIPP, class-A] - (Technical Paper) SIPP EL84 (6BQ5) Tube Stereo Amp Schematic (ECC802S SRPP input ...
- Audio Circuits and Projects Revised Edition PDF — One feature of this circuit , which is common to all preamplifier circuits, is the decoupling of the supply to the high gain input stage using the 47 kn/12 kn divider and 6.8 pF capacitor. This filters out any hum or interference on the supply rail and so isolates the input stage from the rest.
- High Quality Audio Preamp - Project 88 - sound-au.com — The circuit is simplicity itself. Use of the PCB naturally makes it extremely easy to assemble, and this project may be combined with the RIAA (phono) preamp shown in Project 06 and the preamp power supply (Project 05) for a complete high fidelity preamplifier. ... The tape output can be made variable so that the level can be fixed at the best ...
5.2 Online Resources and Tutorials
- Resources - Allen & Heath — Visit shop.allen-heath.com to register and obtain a free add-on key for the DEEP Tube Stage Preamp. ... SQ firmware V1. 5.0 and SQ MixPad V1. 5.2 are compatible. ... PRINTED MATERIALS, "ONLINE" OR ELECTRONIC DOCUMENTATION, AND INTERNET-BASED SERVICES AND DOWNLOADED SOFTWARE AND ANY UPDATES ("SOFTWARE"). AN AMENDMENT OR ADDENDUM TO THIS ...
- PDF Class A Amplifier Design - Learn About Electronics — audio amplifier. Section 2.2 AC Conditions. • Calculate suitable values for AC components. • Build a prototype amplifier on Breadboard. Section 2.3 Testing the Amplifier. • Test the amplifier for Gain, Bandwidth, Input and Output Impedance. Section 2.4 Improving the Amplifier. • Carry out tests and modifications, and
- GitHub - mick001/Circuits-LTSpice: A collection of circuits in ... — At some point in time I simulated each one of these circuits and analyzed them. Sometimes I'd simulate a circuit we studied in class, other times I tested a theory and/or my understandings of a particular circuit, some other times I'd just simulate a design I found on the internet and other times I'd simulate a circuit I tried to build.
- Design of Preamplifier for Ultrasound Transducers - MDPI — In diagnostic ultrasound imaging applications, the ultrasound systems are categorized into transmitters, receivers, and transducers [8,9,10].Figure 1 shows the transducer, transmitter, and receiver in the ultrasound system used to describe the locations of the components of the preamplifier and time-gain compensation amplifier [11,12].The computer-controlled digital-to-analog converter (DAC ...
- Rohde & Schwarz R&S EPL1000 User Manual | Manualzz — View online (652 pages) or download PDF (17 MB) Rohde & Schwarz R&S EPL1000 User manual • R&S EPL1000 PDF manual download and more Rohde & Schwarz online manuals
- Class AB Amplifier - Basic Electronics Tutorials and Revision — Both the Class B amplifier and the Class AB amplifier have a push-pull output stage comprising of two power transistors (or FET's) which are configured in such a way as to reconstruct the full 360 o input waveform at the output with or without distortion.. The purpose of any amplifier is to produce an output which follows the characteristics of the input signal but is sufficiently large ...
- Class A Amplifier - Basic Electronics Tutorials and Revision — Where: η% - is the efficiency of the amplifier. Pout - is the amplifiers output power delivered to the load.; Pdc - is the DC power taken from the supply.; For a power amplifier it is very important that the amplifiers power supply is well designed to provide the maximum available continuous power to the output signal.
- PreSonus | Wherever sound takes you. — Studio One software, studio monitors, digital audio interfaces, mixers, microphones, preamps, pad controllers, control surfaces, and more.
- PDF User Manual CP-70 V — • Tutorials: In-app interactive tutorials, also accessible from the main menu Let's look at them from left to right. 6.3.1. Settings Tab This tab covers settings to control how a Preset responds to incoming MIDI. 6.3.1.1. MIDI Channel Selects the MIDIchannel(s)onwhich CP-70Vwill receiveMIDIinput. You can select a
- Yamaha Music — In this video, Yamaha product manager John Schauer provides an overview of the mixer functions on the STAGEPAS 1K and goes through the available connections on the rear panel. Top
5.3 Manufacturer Datasheets and Application Notes
- THAT 1583/5263 Digitally Controlled Microphone Preamplifier — Design Note 140 Input and Output Circuits for THAT Preamplifier ICs (244k) ... preamps, protecting audio inputs/outputs during phantom power faults, and maintaining high dynamic range in low cost applications. Related Products. Differential Audio Preamplifiers: THAT 1580: Low Noise Differential Audio Preamplifier: 1580 Datasheet: THAT 1583:
- Non-inverting microphone pre-amplifier circuit (Rev. A) - Texas Instruments — Design Notes 1. Operate within the ... ‐0.5/3 20 2. − 1 = 3.956Hz. 10. Calculate C. 1. based on the cut off frequency calculated in 9. C. 1 = 1 2π×Req×f c = 1 2π×100kΩ×3.956Hz = 0.402μF≈ 0.33μF (Standard Value) www.ti.com. 2 Non-inverting microphone pre-amplifier circuit SBOA290A - DECEMBER 2018 - REVISED SEPTEMBER 2024 ...
- PGA2505IDBR Texas Instruments | Mouser - Mouser Electronics — Texas Instruments PGA2505 Microphone Preamplifiers are designed for use as a front-end for high-performance audio analog-to-digital converters (ADCs). The TI PGA2505 analog microphone preamplifier features low noise, a wide dynamic range, a differential signal path, and an on-chip dc servo loop that minimizes dc offset.
- Digitally-Controlled Microphone Preamplifier datasheet (Rev — and Gain = 30dB: -123dBu microphone preamplifier designed for use as a front-end for high-performance audio analog-to-digital - Total Harmonic Distortion plus Noise converters (ADCs). The PGA2505 features include (THD+N) with Gain = 30dB: 0.0006% low noise, wide dynamic range, and a differential •ZERO CROSSING DETECTION MINIMIZES signal ...
- Complete Guide To Microphone Preamplifier Specifications — The description includes information the manufacturer thought important to include about the microphone preamplifier (applications, circuits, amplifier class, EQ, etc.). Examples Cloud Microphones CL-Z. Compact, single-input solution for common audio problems in the field and the studio involving low-output passive microphones, including ribbons.
- PDF Op Amps for MEMS Microphone Preamp Circuits - Mouser Electronics — This application note covers some of the key op amp specifications to consider in a preamp design, shows a few basic circuits, and provides a table of Analog Devices, Inc., op amps that may b e appropriate for a preamp design. The ADMP504 MEMS microphone is used as an example in this application note to describe different design choices.
- Microphone Preamplifiers - Mouser - Mouser Electronics — Microphone Preamplifiers are available at Mouser Electronics. Mouser offers inventory, pricing, & datasheets for Microphone Preamplifiers.
- PDF Designing Microphone Preamplifiers - THAT Corp — • Up to 40 dB covers the majority of close-mic'd applications ... • Both discrete and integrated circuit solutions are available IN+ IN-Rg Rg 1 Rg 2 R1 R2 + G-8 Microphone Preamplifier Design 129th AES Convention, Nov 2010 ... Microphone Preamplifier Design 129th AES Convention, Nov 2010
- PDF Op Amps for MEMS Microphone Preamp Circuits - Analog — This application note covers some of the key op amp specifi-cations to consider in a preamp design, show s a few basic circuits, and provides a table of Analog Devices, Inc., op amps that may be appropriate for a preamp design. The . ADMP504 MEMS micro-phone is used as an example in this application note to describe different design choices.
- PDF Elect ret Microphone - Texas Instruments — Figure 2: A simplified circuit schematic of an electret microphone An example construction of an electret microphone is shown in Figure 3. One electrode of the capacitor is