Microphone Circuits

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Simple Microphone Mixer

This relatively simple mixer was designed for three dynamic microphones, but can be re-designed for more or less. Level and tone controls are available to tailor the sound to your needs. .
Dynamic to electret microphone circuit

This is a simple microphone preamplifier circuit which you can use between your dynamic microphone and any equipment designed to work with an electret microhone (2 wire connection to electret capsule). This amplifier amplifies the low level signal to the levels used by electret microphone input and uses the power from the device. .
Low impedance microphone amplifier

The circuit is a microphone amplifier for use with low impedance (~200 ohm) microphones. It will work with stabilized voltages between 6-30VDC. If you don`t build the impedance adapter part with T1, you get a micamp for higher impedance microphones. In this case, you should directly connect the signal to C7. .
Microphone Voice-Over Circuit

In its simplest form, a voice-over unit is just a microphone and change-over switch feeding an amplifier, the output from the microphone having priority over the amplifiers audio signal when the "push-to-talk" switch is pressed. In this circuit, a preamplifier immediately follows the microphone and is designed to be used some distance away from... .
Underwater microphone

This circuit uses a TBA820 audio 1C to amplify underwater sounds. The microphone must be waterproofed. This project was originally used in a home aquarium to monitor fish sounds. .
24 Watt Audio Amplifier

The 24 watt amp is easy to build, and very inexpensive. The circuit can be used as a booster in a car audio system, an amp for satellite speakers in a surround sound or home theater system, or as an amp for computer speakers. The circuit is quite compact and uses only about 60 watts. .
Mike Pads

What got me interested in building these diminutive devices is the S3FM connector assembly made by Switchcraft. The S3FM is simply a 3.5-inch tube fitted with a male XLR at one end and a female at the other, with enough room in the middle to build a mike pad, low-end rolloff network, polarity reverser, or any number of other useful little... .
electret mike amp

This circuit amplifies the output of a regular electret condensor microphone quite nicely.. adjust sensitivity by turning R1 .
simple mic preamp

this is a very easy circuit to build - all parts can be found at the local electronics shop. .
Small LM386 Amplifier

This is one of my favorites. The LM386 is a low voltage audio power amplifier. It can provide 125mW to 750mW, enough for any project that uses audio. This circuit can work with batteries, requieres minimum external parts and works from 4 to 18 Volts (contact the manufacturer or read the technical info. Some versions works only with 5 to 15V.)... .
1,5V Earphones Audio Amplifier

This audio amplifier circuit, connected to 32 Ohm impedance mini-earphones, can detect very remote sounds. Useful for theatre, cinema and lecture goers: every word will be clearly heard. You can also listen to your television set at a very low volume, avoiding to bother relatives and neighbors. Even if you have a faultless hearing, you may... .
300HZ - 3KHZ Audio Filter

The human speech apprehend a small area of frequencies, that is extended from 300HZ until 3KHZ. This spectrum is also internationally recognized for the transmission of speech via telecommunications networks. This is also the mainer use of this circuit, one and it can be used in uses that we needed this concrete spectrum of frequencies,... .
Microphone balanced preamplifier

A professional suggestion for those interested in improving sound. The circuit constitutes the part of input mixing console sound from the microphone or source of high level . It can be used on it's own or be multiplied to the number of channels required. It includes all the useful functions such as, phantom power , reverse face, signal... .
Auto Microphone Muter

If you've crossed the line and play guitar or bass and also sing in a band, you're almost certain to have run into the situation that you step away from the mike to do a solo (or one of those neato, expressive dance steps, or a facial impression of the pain you're pouring out to make these dulcet tones...), and had the mike pick up some... .
Vocal Zapper

All vocal eliminators start with the assumption that the lead vocal in a recording is in the center of the stereo field - which means that it is equal amplitude and phase in both left and right channels. Subtracting one channel from the other removes this highly correlated signal while leaving the uncorrelated signals in the channels unchanged.... .
Microphone Preamplifier LM833

This design was born of frustration with the mic preamp in my Sony R91. It clips at ridiculously low levels, basically it has 28mV of headroom to deal with an input that could be as high as 1800mV (depending on mic & volume), so this design attempts to cure that by : A: Providing a higher electret bias voltage, 9V through a 10k resistor to give...
Microphone Preamplifier BC547B

This is a simple microphone preamplifier circuit which you can use between your microphone and stereo amplifier. This circuit amplifier microphone suitable for use with normal home stereo amplifier line/CD/aux/tape inputs. This microphone preamplifier can take both dynamic and electret microphone inputs (preamplifier provides power foe electret... .
PC Microphone Preamplifier

Soundblaster soundcard series (SB16, SB32, AWE32 and AWE64) have all a microphone input designed to be used with the electret microphones which come with the soundcard package (some packages) or with separate microphone designed to be used with SoundBlaster soundcards (there are separate microphones and some monitors have built-in microphones... .
Operational Amplifier tutorial

Ever since the best decade of all time, the 1970s, people have been able to buy amplifiers in all-in-one chips rather than having to make them out of lots of discrete transistors. This video shows you the basics of op amps and has an example circuit where you build an amplifier to take a tiny microphone signal and amplify it to be audible on earbu .
PCM2902 Soundcard with Microphone Input Schematic

Many of us have a pair of headphones connected to the output of the computer sound card us either to enjoy songs, or a game. Very likely your headphones and microphone, which also connect to the appropriate slot your sound card. But at some point broke down the female plug my sound card, and because quite a lot to change the plug when I put the he .
Lm318 Microphone preamplifier with tone control circuit and explanation

This electronic project is a simple microphone preamplifier based on the LM318 op amp. The LM318 op amp is operated as a standard non-inverting amplifier. Resistor R1 provides an input path to ground for the bias current of the non-inverting input. The combination of R2 and C2 provides a frequency roll-off below 30 Hz. At 30 Hz and above the gain .
Electret mic pre amp

Electret mic pre amp schematic. The op amp provides an amplification of about 30 dB (which is sufficient for the relatively high output level of an electret microphone), this gain depends on the value of resistors R3 and R4. If you want to be able to vary the gain, simply replace the resistor R4 to 120K a 470K potentiometer in series with a resist .
Mic Amplifier

Mic Amplifier schematic diagram. This circuit has been tried on three microphones, one from SONY, and then two Chinese, everything works! With the correct assembly of the device starts to work immediately, and does not need tuning. .
Mic pre amp

Mic pre amp schematic based TLC251. TLC251 is a Programmable Low-Power Operational Amplifiers. This is indeed a control input, called BIAS (pin 8), which determines the mode of operation. When the pin is worn on the positive potential of power supply, the consumption of the circuit is reduced to a minimum, which is 10 uA (ten micro-amps). .
Laser Microphone

This was a final project for an optics class EE 134 at Stanford. It was an open-ended project to make a fully functioning laser microphone the class was geared to demonstrate optics and photonics in the lab, not necessarily electrical schematics. There are real commercial devices that use lasers to sense sound acoustics from glass surfaces. The .
Dynamic Microphone Preamp

This circuit is capable of amplifying the output from a 150-ohm dynamic microphone to line level in a single stage, courtesy of a little thing called an instrumentation amplifier. They`re like op-amps but with settable gain and much better common-mode rejection. They can have very high gain, high precision, low noise, and decent cost per chip; not .
Understanding Mouthpiece or Microphone Earpiece and IHF or Buzzer Speakers Circuit on mobile phones

A mobile phones microphone or mouthpiece is a component used to convert sound signal into an electrical signal. The earpiece speaker is the one that converts electrical signal into a sound signal, likewise also the IHF, buzzer or ringer speaker do. A typical and modern designed of mouthpiece circuit is being protected by an EMI- Filter to prevent .
Dynamic Microphone Amplifier

Dynamic microphones are versatile and ideal for general-purpose use. They use a simple design with few moving parts. They are relatively sturdy and resilient to rough handling. They are also better suited to handling high volume levels, such as from certain musical instruments or amplifiers. They have no internal amplifier and do not require batte .
FM Wireless Microphone

The range of frequencies for the FM broadcast band is 90MHz (MHz = Megahertz or 90 million cycles per second). Because the FM microphone has a variable tuned circuit, it can be tuned to a quiet spot on your local FM broadcast band for the best reception. When the small microphone element is struck by sound, it converts the audio to a change in cu .
Computer Microphone by BC547

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Balanced Microphone Preamplifier

The preamplifier is intended for use with dynamic (moving coil MC) microphones with an impedance up to 200 © and balanced terminals. It is a fairly simple design, which may also be considered as a single stage instrument amplifier based on a Type NE5534 op amp. To achieve maximum common-mode rejection (CMR) with a balanced signal, the division .
Dynamic Microphone Preamp

This is a 3 stage discrete amplifier with gain control. Alternative transistors such as BC109C, BC548, BC549, BC549C may be used with little change in performance. The first stage built around Q1 operates in common base configuration. This is unusuable in audio stages, but in this case, it allows Q1 to operate at low noise levels and improves over .

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