This relatively simple mixer was designed for three dynamic microphones, but can be re-designed for more or less. Level and tone controls are available to tailor the sound to your needs.
.
This is a simple microphone preamplifier circuit which you can use between your dynamic microphone and any equipment designed to work with an electret microhone (2 wire connection to electret capsule). This amplifier amplifies the low level signal to the levels used by electret microphone input and uses the power from the device.
.
The circuit is a microphone amplifier for use with low impedance (~200 ohm) microphones. It will work with stabilized voltages between 6-30VDC. If you don`t build the impedance adapter part with T1, you get a micamp for higher impedance microphones. In this case, you should directly connect the signal to C7.
.
In its simplest form, a voice-over unit is just a microphone and change-over switch feeding an amplifier, the output from the microphone having priority over the amplifiers audio signal when the "push-to-talk" switch is pressed. In this circuit, a preamplifier immediately follows the microphone and is designed to be used some distance away from the main amplifier. The changeover switch is nothing more than a relay with a single changeover...
.
This circuit uses a TBA820 audio 1C to amplify underwater sounds. The microphone must be waterproofed. This project was originally used in a home aquarium to monitor fish sounds.
.
The 24 watt amp is easy to build, and very inexpensive. The circuit can be used as a booster in a car audio system, an amp for satellite speakers in a surround sound or home theater system, or as an amp for computer speakers. The circuit is quite compact and uses only about 60 watts.
.
What got me interested in building these diminutive devices is the S3FM connector assembly made by Switchcraft. The S3FM is simply a 3.5-inch tube fitted with a male XLR at one end and a female at the other, with enough room in the middle to build a mike pad, low-end rolloff network, polarity reverser, or any number of other useful little gadgets. Related to the S3FM is the 380AP1 series of XLR to 1/4-inch audio adapters. The metal sleeves on...
.
This is one of my favorites. The LM386 is a low voltage audio power amplifier. It can provide 125mW to 750mW, enough for any project that uses audio. This circuit can work with batteries, requieres minimum external parts and works from 4 to 18 Volts (contact the manufacturer or read the technical info. Some versions works only with 5 to 15V.) The power output depends of the voltage. The power output is 125mW when the voltage is 6V. The voltage...
.
This audio amplifier circuit, connected to 32 Ohm impedance mini-earphones, can detect very remote sounds. Useful for theatre, cinema and lecture goers: every word will be clearly heard. You can also listen to your television set at a very low volume, avoiding to bother relatives and neighbors. Even if you have a faultless hearing, you may discover unexpected sounds using this device: a remote bird twittering will seem very close to you.
.
The human speech apprehend a small area of frequencies, that is extended from 300HZ until 3KHZ. This spectrum is also internationally recognized for the transmission of speech via telecommunications networks. This is also the mainer use of this circuit, one and it can be used in uses that we needed this concrete spectrum of frequencies, rejecting the spectrum on and under what, making comprehensible the speech. The circuit is constituted by...
.
A professional suggestion for those interested in improving sound. The circuit constitutes the part of input mixing console sound from the microphone or source of high level . It can be used on it's own or be multiplied to the number of channels required. It includes all the useful functions such as, phantom power , reverse face, signal attenuation for avoiding distortions from high level signals regulating channel gains and the rest of the...
.
If you've crossed the line and play guitar or bass and also sing in a band, you're almost certain to have run into the situation that you step away from the mike to do a solo (or one of those neato, expressive dance steps, or a facial impression of the pain you're pouring out to make these dulcet tones...), and had the mike pick up some unfortunate noise to funnel into the PA. You may even have fumbled for the mike mute switch as you stepped...
.
All vocal eliminators start with the assumption that the lead vocal in a recording is in the center of the stereo field - which means that it is equal amplitude and phase in both left and right channels. Subtracting one channel from the other removes this highly correlated signal while leaving the uncorrelated signals in the channels unchanged. Since kick drum and bass are often recorded at stereo center the time constant of C3 and R12 is...
.
This design was born of frustration with the mic preamp in my Sony R91. It clips at ridiculously low levels, basically it has 28mV of headroom to deal with an input that could be as high as 1800mV (depending on mic & volume), so this design attempts to cure that by : A: Providing a higher electret bias voltage, 9V through a 10k resistor to give the mic's fet more headroom. (The R91 provides 2.5V through a 6k8 resistor.) B: Having much...
This is a simple microphone preamplifier circuit which you can use between your microphone and stereo amplifier. This circuit amplifier microphone suitable for use with normal home stereo amplifier line/CD/aux/tape inputs. This microphone preamplifier can take both dynamic and electret microphone inputs (preamplifier provides power foe electret microphone elements). The idea of this circuit is to keep the design as simple as possible to be...
.
Soundblaster soundcard series (SB16, SB32, AWE32 and AWE64) have all a microphone input designed to be used with the electret microphones which come with the soundcard package (some packages) or with separate microphone designed to be used with SoundBlaster soundcards (there are separate microphones and some monitors have built-in microphones like this). Because the microphone input needs very high input levels it is not suitable to be used...
.
Ever since the best decade of all time, the 1970s, people have been able to buy amplifiers in all-in-one chips rather than having to make them out of lots of discrete transistors. This video shows you the basics of op amps and has an example circuit where you build an amplifier to take a tiny microphone signal and amplify it to be audible on earbu
.
Many of us have a pair of headphones connected to the output of the computer sound card us either to enjoy songs, or a game. Very likely your headphones and microphone, which also connect to the appropriate slot your sound card. But at some point broke down the female plug my sound card, and because quite a lot to change the plug when I put the he
.
This electronic project is a simple microphone preamplifier based on the LM318 op amp. The LM318 op amp is operated as a standard non-inverting amplifier. Resistor R1 provides an input path to ground for the bias current of the non-inverting input. The combination of R2 and C2 provides a frequency roll-off below 30 Hz. At 30 Hz and above the gain
.
Electret mic pre amp schematic. The op amp provides an amplification of about 30 dB (which is sufficient for the relatively high output level of an electret microphone), this gain depends on the value of resistors R3 and R4. If you want to be able to vary the gain, simply replace the resistor R4 to 120K a 470K potentiometer in series with a resist
.
Mic Amplifier schematic diagram. This circuit has been tried on three microphones, one from SONY, and then two Chinese, everything works! With the correct assembly of the device starts to work immediately, and does not need tuning.
.
Mic pre amp schematic based TLC251. TLC251 is a Programmable Low-Power Operational Amplifiers. This is indeed a control input, called BIAS (pin 8), which determines the mode of operation. When the pin is worn on the positive potential of power supply, the consumption of the circuit is reduced to a minimum, which is 10 uA (ten micro-amps).
.
This was a final project for an optics class EE 134 at Stanford. It was an open-ended project to make a fully functioning laser microphone the class was geared to demonstrate optics and photonics in the lab, not necessarily electrical schematics. There are real commercial devices that use lasers to sense sound acoustics from glass surfaces. The
.
This circuit is capable of amplifying the output from a 150-ohm dynamic microphone to line level in a single stage, courtesy of a little thing called an instrumentation amplifier. They`re like op-amps but with settable gain and much better common-mode rejection. They can have very high gain, high precision, low noise, and decent cost per chip; not
.
A mobile phones microphone or mouthpiece is a component used to convert sound signal into an electrical signal. The earpiece speaker is the one that converts electrical signal into a sound signal, likewise also the IHF, buzzer or ringer speaker do. A typical and modern designed of mouthpiece circuit is being protected by an EMI- Filter to prevent
.
Dynamic microphones are versatile and ideal for general-purpose use. They use a simple design with few moving parts. They are relatively sturdy and resilient to rough handling. They are also better suited to handling high volume levels, such as from certain musical instruments or amplifiers. They have no internal amplifier and do not require batte
.
The range of frequencies for the FM broadcast band is 90MHz (MHz = Megahertz or 90 million cycles per second). Because the FM microphone has a variable tuned circuit, it can be tuned to a quiet spot on your local FM broadcast band for the best reception. When the small microphone element is struck by sound, it converts the audio to a change in cu
.
This is a 3 stage discrete amplifier with gain control. Alternative transistors such as BC109C, BC548, BC549, BC549C may be used with little change in performance. The first stage built around Q1 operates in common base configuration. This is unusuable in audio stages, but in this case, it allows Q1 to operate at low noise levels and improves over
.
-small.png "CMOS Circuits Tutorial")