Audio Tone Balance Circuits
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Circuit shown in Figure 1-560 RPi is treble control potentiometer. Because C3, C4 is larger than cl, C2 capacity, so high-frequency signals, Pat, C4 can be regarded as a short ..
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Common diode balanced modulator circuit is shown. It consists of two identical performance diodes and a center-tapped transformer T composition. Diodes VD1, VD2 are 2AP9. Other..
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On this page three adjustable notch filters configurations are shown . They can be used in your small pre-amp or amplifier project to filter out any HUM at 50 Hz ( European ) or 60Hz . By sustituting the capacitors values in the bridge other frequencies can....
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In an adjustable lowpass filter, each filter section uses commonly available components (Figure 1). This example uses filter-section cutoff frequencies for standard inductors and capacitors without the need for any extra components in series or parallel.....
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This simple tone control can be used in may audio applications. It can be added to amplifers, used as a stand alone control module, or even built into new and exciting instruments. It`s one IC construction makes it a very compact circuit, as only a few....
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The composite lowpass filter uses interior constant-k full sections terminated by m-derived half-sections.The design technique is also applicable to highpass and wideband filters (references 3 and 4). Figure 1 shows a schematic of the composite lowpass....
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The filter should provide adjustable gain to maximize SNR at the audio processor's first stage. The filter's frequency response should also include a notch at 19 kHz to achieve maximum attenuation at the FM-subcarrier pilot-tone frequency and thus minimize....
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The circuit in Figure 1 accommodates lower cutoff frequencies without sacrificing the step-response time. A window comparator monitors the delta (difference) between the filter's input and output. When the delta exceeds ±50 mV, the filter increases its slew....
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The LM1036 is a DC controlled tone (bass/treble), volume and balance circuit for stereo applications in car radio, TV and audio systems. An additional control input allows loudness compensation to be simply effected. Four control inputs provide control of....
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This preamplifier was designed as a stand-alone portable unit, useful to control the signals generated by guitar pick-ups, particularly the contact "bug" types applied to acoustic instruments. Obviously it can be used with any type of instrument and pick-up.....
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The three-amplifier implementation of the state-variable filter in Figure 1 provides for second-order bandpass, highpass, and lowpass responses. The strength of the circuit, however, is in the bandpass response (VOUT/VIN), in which it`s easy to achieve high....
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Using a modified equal-element design for a lumped-circuit lowpass filter has several advantages over the well-known equal-element design (Reference 1 and Reference 2). The modified design exhibits superior passband performance with only modest degradation....
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Sometimes, for a variety of reasons, it would be nice to vary the width of the `sound stage` when listening to stereo recordings. Although technically this is anything but hi-fi, it is a useful addition to PC speakers, or even for the music centre in the....
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Switched-capacitor filters that are preset for a given bandwidth sometimes do not deliver the bandwidth or Q an application requires. By inverting the clock between two switched-capacitor bandpass filters, such as the MSFS1 from Mixed Signal Integration....
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This circuit is taken from the Progressive Communications Receiver in most of the recent ARRL Handbooks. Values for the 40 meter band are shown. If you want the ultimate in a bandpass filter for 40 or 20 meters, check out the bandpass filters in "An....
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There are applications where a particular band, or spread, or frequencies need to be filtered from a wider range of mixed signals. Filter circuits can be designed to accomplish this task by combining the properties of low-pass and high-pass into a single....
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Based on the classic Baxendall tone control circuit, this provides a maximum cut and boost of around 10dB at 10K and 50Hz. As the controls are passive, the last transistor provides a slight boost. The output is designed to feed an amplifier with input....
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Notch filters remove a single unwanted frequency from an input signal. They are also a vital component of pulse-shaping networks, such as time-averaging filters. You can tune a state-variable filter over a wide range by changing the time constants of its....
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A simple circuit for evaluating the performance of the fi lter. The LTC1560-1 offers a pinselectable cutoff frequency of either 500kHz or 1MHz. The fi lter gain response is shown in Figure 2. In the 1MHz mode, the passband gain is fl at up to (0.55)(fC) with....
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The circuit is completely conventional, and has been around almost forever in one guise or another. Similar circuits were used in the valve (tube) era, so there is nothing new about it. The circuit has already been published on these pages as a guitar....
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The LTC1050 is confi gured as unity gain 2nd order low-pass fi lter which center frequency is (1.2πR´C´) = 1.72 • fCUT-OFF = 17.2Hz and Q = 0.5. Figure 2 shows the amplitude response of the fi lter, and Figure 3 shows a well behaved transient response for....
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Although you can obtain universal, resistor-programmable switched -capacitor filters that are configurable as notch filters, most cannot operate at bandwidths higher than 100 kHz. Further, the typically 16- to 20-pin packages do not include a continuous....
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It is very useful (and has Best Quality) for 1 -100watt AUDIO AMPLIFIERS..
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The application that to you we propose is a simple filter of region that limits the acoustic region (20-20000Hz) in the region 20-100Hz.
With the manufacture that to you we propose you can make a active filter in order to you lead a loudspeaker of very....
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This circuit is used to convert a mono audio signal into a stereo signal that can be panned between the left and right channel by a 0-10V control signal, it is intended for analog synthesizer systems...
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This device is a microprocessor controlled waveform generator that can be used for driving a voltage controlled stereo panner for music applications. Panning is simply the movement of a mono audio signal between the left and right channels of a stereo sound....
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The controller is quite (actually very) simple. An input buffer ensures that the input impedance of the source does not affect the integrator performance, and allows summing of left and right channels without any crosstalk. The output provides a phase....
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These filters are useful for equalisation, analysis and other tasks such as the Sound to Light converter (Project 62) or even a fully functional Vocoder. For those who have not heard of the vocoder, it is a device that takes a music source as one input and....
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Based on the classic Baxendall tone control circuit, this provides a maximum cut and boost of around 10dB at 10K and 50Hz. The first BC109C transistor (left hand side) is acting as a buffer. It provides the circuit with a high input impedance, around 250k....
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Simple add-on module. A simple approach to this problem can be done inserting a circuit in the preamplifier stage, capable of varying automatically the frequency response of the entire audio chain in respect to the position of the control knob, in order to....
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The circuit diagram of the filter section is shown in Figure 1. It is a completely conventional filter, and the component designations are the same as for the 24dB unit described in Project 09. It is designed primarily for 2-way electronically crossed over....
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The purpose is supposedly to account for the fact that human hearing is less sensitive at low and high frequencies than in the upper midrange, and that this variation is dependent upon the sound intensity (SPL). The Fletcher-Munson curve (as it is commonly....