The described tube amplifier circuit showcases a well-thought-out design that emphasizes simplicity and high-quality audio performance. The use of the 5751 valve in the SRPP stage allows for a balance of gain and linearity, while the SIPP output stage enhances efficiency by removing unnecessary components. The incorporation of adjustable biasing provides flexibility for different tube types, appealing to audiophiles who enjoy experimenting with various sound signatures. The choice of components, such as the paper-in-oil capacitor and carbon film resistors, reflects a commitment to audio fidelity. Furthermore, the robust power supply design ensures stable operation, which is critical for achieving optimal performance from the amplifier. Overall, this design not only caters to the needs of hobbyists but also stands as a testament to the enduring appeal of tube amplification in the realm of high-fidelity audio.One of the advantages of hosting a hobby website is that you meet people through email who have similar interests as you. Ever since we posted Bruce`s first OddWatt project on the site I have communicated with a number of DIY hobbyists who have built the various OddWatt amplifiers and have had nothing but very positive comments about the sonic qua
lities of these tube amps. The kits are available in two versions, KT77 rated at 15 watts and KT88 rated at 25 watts which I decided to try. The monoblock tube amp kits arrived about two weeks after placing the order in two double boxed packages, each package weighing about 6.
You are free to use the schematic for personal, non-commercial use. The voltage gain (input) stage is a common Shunt-Regulated Push-Pull (SRPP) amplifier using a 5751 miniature dual triode valve. Other input tubes can be used in the driver stage, the closest match being a 12AX7 which will provide more gain.
12AU7, ECC82 and ECC802S can also be used but will not be able to provide sufficient gain to drive the KT88 tubes to full power. Bruce indicated that the 5751 provided the best measured performance from the lot of driver tubes. The output stage is a Self Inverting Push-Pull (SIPP) amplifier which is based on the Compact Hi-Fi Power Amplifier by Melvin Leibowitz from 1961.
Unlike conventional push-pull output stages, a phase inverter is not necessary here. Eliminating the phase inverter stage removes an entire active circuit from the signal path. There is only one DC blocking capacitor in the entire signal path of the circuit. The elegance and sheer simplicity of this amplifier circuit will appeal to audio enthusiasts who prefer less components and circuitry in the signal path. A constant current source (CCS) consisting of a LM317HVT voltage regulator IC is used to force the output stage into class-A operation.
The bias current can be adjusted by changing the current setting resistor and this will allow the use of many different power tubes. For those who like to roll tubes, a switch be used to readily allow adjusting the bias current. With the Group "B" tubes (6550, KT88, KT90) the design is conservative and keeps the tubes at about 75-80% of their ratings which will extend the life of the tubes.
The current amplifier circuit configuration is illustrated in the figure. It consists of a two-stage operational amplifier, the LM318, arranged in a complementary push-pull amplifier configuration, which exhibits low output resistance and possesses load capacity features.
The current amplifier circuit...
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