TX OpAmps TX Mixer (QSE) PTT RX Switching PA/Filters External Connections Comments Revisions WB5RVZ SDR Home. This stage integrates the TX Mixer into the board, allowing for the modulation of the Dividers' output signals by the four I and Q signals from the OpAmps. The result is a double sideband RF waveform that will be coupled into the PA stage.
For example, when operating on the 40m band with an SDR center frequency of 7.056 MHz, if the SDR is tuned to a CW station at 7.066 MHz (10 kHz above the center frequency), the I and Q signals from the RX hardware can be monitored through an amplifier or headphones. In a noise-free environment, a single 10 kHz CW signal would be heard on both channels, with one channel being 90 degrees out of phase with the other. The SDR RX software analyzes the phase difference between the I/Q signals to determine that the signal is 10 kHz above the center frequency, displaying it as a broken line on the waterfall. The software then frequency shifts this signal at the soundcard output to produce a normal CW tone from the speakers.
When transmitting at the cursor's frequency (7.066 MHz), the SDR software generates a 10 kHz signal (the difference between the center frequency and the selected TX frequency) in both I and Q outputs, again in quadrature. This signal is sent to the SDR hardware on the TX side, through the OpAmps, and into the mixer, where it interacts with the local oscillator (LO) frequency of 7.056 MHz. The input to the mixer is the 10 kHz signal from the soundcard, and the output is the RF product of the LO and the input 10 kHz signal. Listening to the input 10 kHz signal reveals a tone, which is audible due to its representation of the frequency difference between the center frequency and the desired transmit frequency. Selecting a higher transmission frequency, such as 7.080 MHz, results in a 24 kHz signal that may not be audible.
The TX OpAmps operate at unity gain, splitting the incoming I and Q signals into four components: 0°, 180°, 90°, and 270° phase. Each of these components is input to the mixer, which is switched by LO signals that are 90 degrees apart in phase. The mixer produces two outputs that are the up-converted RF products, which are 180 degrees out of phase. These outputs are fed to the Power Amplifier Filter (PAF) and its input transformer. The PAF Input Transformer, T200, cancels one of the anti-phased RF signals based on which is leading or lagging, similar to the RX process where minor phase errors are compensated. The SDR software adjusts the phase and amplitude of the I/Q signals to ensure that the mixing product 10 kHz below 7.056 MHz is cancelled, leaving a signal 10 kHz above 7.056 MHz at the PAF Input Transformer output. The SDR software transmits two appropriately phased signals from the soundcard; however, it is not the tone that is transmitted, but an up-converted RF product that is amplified and filtered in the PAF board.TX OpAmps TX Mixer (QSE) PTT RX Switching PA/Filters External Connectons Comments Revisions WB5RVZ SDR Home This stage adds the TX Mixer to the board and provides the modulation of the Dividers` output signals by the 4 I and Q signals from the OpAmps. The result is a double sideband RF waveform that will be coupled into the PA stag e. Let`s suppose you were working 40m with a SDR center frequency of 7. 056 MHz. You have tuned your SDR (via the software) so that you are listening to a CW station on 7. 066 MHz (10 kHz up from the center frequency). If you were to listen to the I and Q signals from the hardware RX via an amplifier or headphones (assuming there were no other signals and little noise) you would hear a single 10 kHz CW signal on both channels. Your ears may or may not be able to detect the fact that the tone in one ear is 90 degrees out of phase (I.
e. , In quadrature) with the tone in the other ear. By comparing the phase difference between the I/Q signals the SDR RX software determines that this signal is 10KHz higher than the center frequency and displays the CW signal as a broken line on the waterfall. It also frequency shifts this signal at the output of the soundcard so it is heard at as normal CW tone from the speakers.
Now, assume you decide to transmit on that frequency where you have placed your cursor (7. 066 MHz). Your SDR software will emit a 10 kHz signal (the delta between the center frequency and the selected TX frequency) in both the I and Q outputs, again, in quadrature. This will go into the SDR hardware on the TX side, through the OpAmps and into the mixer, where it will beat up against the LO center frequency of 7.
056 MHz. The input to the mixer is 10KHz from the soundcard; the output from the mixer is the RF product of the LO and the input 10 kHz signal. If you were to listen to the input 10 kHz signal you would hear a tone. This tone is audible simply because it represents the delta between the center frequency and the desired transmit frequency, in this case, only 10 kHz, and, since it is in the range of audio frequencies, is audible.
If you were to select a higher frequency on whch to transmit, sat 7. 080 MHz, the resultant signal would be a 24 kHz signal; perhaps your dog would hear it, but you certainly would not! The TX OpAmps are unity gain and serve to split the incoming I and Q signals into 4 components: 0, 180, 90, and 270 degree phase.
Each of the four are then input to the Mixer and are switched ("mixed" by the LO signals which are 90 degrees apart in phase). The two outputs of the mixer are the up-converted RF products, in anti-phase (I. e. , 180 degrees apart). These are fed to the PAF and its input transformer. The PAF Input Transformer, T200, will cancel out one or the other of the anti-phased RF signals out, depending upon which is leading and which is lagging.
This is just like the RX, any minor phase errors are compensated. The software will make the phase and level of the I/Q signals such that the mixing product 10KHz below 7. 056 is cancelled leaving a signal 10KHz above 7. 056 at the output of the PAF Input Transformer. The SDR software sends two suitably phased signals from the soundcard it is not that tone that is transmitted, but an up-converted mixer RF product, amplified and filtered in the PAF board.
This circuit includes an amplifier designed to deliver +10 dBm to an SBL series (Mini-Circuits) or a similar type of doubly-balanced mixer assembly. The circuit parameters are specified for 80 to 90 MHz crystals, although the values of the...
This simple circuit can be used to combine stereo signals to produce a monaural output. K1 and R2 isolate both circuits, while R3 controls the level of the combined output signal.
The circuit functions by taking two separate stereo input...
The target of this project was the design of a small portable mixer supplied by a 9V PP3 battery, keeping high quality performance. The mixer is formed assembling three main modules that can be varied in number and/or disposition...
This circuit combines horizontal synchronization (H sync), vertical synchronization (V sync), and the actual video signal. Transistor T2 is responsible for mixing the synchronization signals, while transistor T1 functions as an emitter-follower. Typical bandwidths for this circuit can reach...
This mixer is constructed using a TL072 dual BiFET operational amplifier featuring a JFET input stage and can be powered by a single-ended power supply ranging from 9 to 18 volts. The microphone input is capacitively coupled to the...
If two of these circuits are made in the same enclosure for stereo, then there can be a single power supply to run both of them. There should be a resistor in series with the incoming 9V+ lead so...
Warning: include(partials/cookie-banner.php): Failed to open stream: Permission denied in /var/www/html/nextgr/view-circuit.php on line 713
Warning: include(): Failed opening 'partials/cookie-banner.php' for inclusion (include_path='.:/usr/share/php') in /var/www/html/nextgr/view-circuit.php on line 713