The individual is new to electronics but enjoys experimentation. They plan to create a small guitar amplifier based on a 30 Watt design, specifically the single 12VDC version referenced in comments. The intention is to incorporate a preamplifier to adjust input gain and tone control. Additionally, they wish to implement a master volume control at the output stage but have not found suitable circuit designs for this purpose, only digital volume circuits, while they prefer using a potentiometer. There is a question regarding the logical placement of a master volume control in relation to the amplifier circuit, considering that a volume potentiometer has been suggested for the input stage.
The design of a small guitar amplifier can be effectively executed by utilizing a 30 Watt amplifier circuit that operates on a single 12VDC power supply. This type of amplifier typically uses a Class AB output stage to achieve a balance between efficiency and sound quality, making it suitable for musical applications. The inclusion of a preamplifier stage is essential for adjusting the input gain and tone control, allowing for enhanced sound shaping before the signal reaches the power amplifier.
For the preamplifier, a simple transistor-based or op-amp-based circuit can be employed. The preamp should include tone control circuitry, such as a tone stack that allows for adjustments of bass, midrange, and treble frequencies. This can be achieved using capacitors and resistors arranged in a configuration that allows for the desired frequency response.
To implement a master volume control, a potentiometer can be placed in the output stage of the amplifier circuit. The master volume should be connected to the output of the power amplifier, prior to the signal being sent to the speaker. This configuration allows for overall volume adjustments without affecting the tonal characteristics set by the preamp and tone control.
It is advisable to use a logarithmic taper potentiometer for the master volume control to ensure a more natural feel when adjusting the volume. The value of the potentiometer can typically range between 10kΩ to 100kΩ, depending on the specific requirements of the amplifier circuit and the desired level of control.
In summary, the proposed guitar amplifier design involves a 30 Watt circuit powered by a single 12VDC source, with a preamplifier stage for gain and tone adjustments, and a master volume control implemented at the output stage using a potentiometer. This configuration allows for a versatile and user-friendly amplifier suitable for various musical applications.I`m a bit of a newbie, but I love to experiment. I thought I would try to make a small guitar amplifier using some of the circuit designs posted here. I`m thinking of using this 30 Watt design (actually, the single 12VDC version mentioned in the comments below), but feed it with a preamp ( ) to be able to adjust input gain and have some tone cont
rol. Then I would like to add a master volume on the backend, but I haven`t found any circuit designs for this. Only digital volume circuits, but I`d like to use a pot. Question #2: How can I add a master volume to this amplifer circuit In the comments below, you mention adding a volume pot to the INPUT of this circuit.
That`s sort of what I`d be doing with the pre-amp. Would it be logical to place a volume pot somewhere in the OUTPUT 🔗 External reference
18W Audio Amplifier. High-quality, very simple unit—no need for a preamplifier. Circuit diagram: Amplifier parts: P1 = 22K Log Potentiometer.
The 18W audio amplifier is designed to deliver high-quality sound amplification in a straightforward configuration, eliminating the need for a...
The circuit operation begins by transmitting stereo surround sound signal quality information through the master volume circuit. This drives the left channel connected to the LCH Model TL072 IC1A and IC1B, which are linked to the right channel (Rch)....
The STK4038-based 60-watt audio amplifier circuit project utilizes the STK4038X audio amplifier IC, designed to create a straightforward yet high-power and efficient audio power amplifier. Manufactured by Sanyo Corporation, this circuit delivers an output power of 60 watts with...
High-end audio equipment is typically controlled digitally by a microprocessor (microcontroller) system. It is necessary to have a digital interface that allows for effective communication and control.
High-end audio systems utilize a microcontroller to manage various functionalities, enabling precise control...
This amplifier is of such high quality that it would be an understatement to call it a HIFI amplifier. According to HIFI-confirmed-Finland, the frequency response must be direct and distortion <1% 20-20 kHz. Our power amplifier circuit meets the above requirements for bandwidth 5Hz - 500 kHz, however, the frequency band is limited to prevent interference. The amplifier meets the requirements for a reference amplifier, which is suitable for measurement and comparison operations. Small 12-24V voltage system amplifiers operating in the power and properties are somewhat modest, for instance, testing decent speakers. The amplifier is also suitable for demanding PA use.
When music occurs at shallow close 20Hz sound levels, the whole amplifier power reserve may need to be temporarily used. This happens especially when the low-frequency emphasis equalizer or amplifier is used, for example, TV. Watching a movie with lots of sound effects, if the power is not enough in that situation, the sound from the speakers is distorted, reducing the enjoyment of hearing or even damaging the speaker drivers.
The distortion of human hearing range is only about 20 Hz-20 kHz. The hi-fi speaker gamut extends at its best to 25kHz and the hearing area of bats "remains" at 150 kHz, so what are the practical benefits of the amplifier's superior frequency characteristics? The power of less than 1% distortion mentioned in the title 220W blue means the so-called total maximum amount of distortion. This includes TIM distortion (Transient intermodulation) as well as IM-distortion (intermodulation-distortion). TIM distortion occurs in connection with high-speed percussion sounds, such as the sound of dishes on drums. If the amplifier's share of this distortion is high, the amplifier will not be able to play the sound clean, but the sound will be distorted.
The higher the frequencies the amplifier is capable of playing, the less is TIM distortion. If the amplifier would be able to repeat 600 kHz, distortion would not occur at all. IM distortion means that the amplifier generates excess denominated, the so-called undesirable ghost signals. For example, fed in to 19 kHz. And 20 kHz, consists of the difference between 1kHz. Safety Because this amplifier has AC parts, its construction is permitted only in the technical work of teachers. Even in this case, the device should be checked by experts before connecting it to the network. Although the equipment has been revised, it is worth remembering that even the only speaker outputs may at best affect almost 70V the effective voltage.
Therefore, caution is necessary during building and operation. For instance, the speaker terminals should be protected against contact. Building instructions and testing of the amplifier circuit board components will be worth and an amplifier solder test in three stages: 1) The components of the power side, and all the cables signal cables except installed 2) any other circuit board components plus not only hybrid circuit STK 4231 3) STK 4231 placed and cooled, and the input signals the wires connected.
Installation of the power-side components and testing should be done carefully. The transformer wires insulation must first be removed carefully or checked that this has already been done. Then the transformer conductors order is checked on the transformer side.
The circuit board parts include STK4231II Hybrid, Led green, resistors of different values, ceramic and plastic capacitors, a rectifier, fuse holders and fuses, a coil, line voltage parts, potentiometer, RCA connectors, speaker output screws, and a cooling unit.
This stereo FM wireless microphone provides a high-quality audio link. Testing demonstrated a reliable performance at distances exceeding 50 meters. While not the first wireless microphone produced, this model stands out due to its stereo capabilities, delivering surprisingly good...
We use cookies to enhance your experience, analyze traffic, and serve personalized ads.
By clicking "Accept", you agree to our use of cookies.
Learn more